We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Anton Bruckner
38 Compositions
1842 | Mass in C major (Windhaag Mass) , WAB 25 | 0000-2000-org-str-chorus(A) | 11' 00'' |
1849 | Requiem in D minor , WAB 39 | 0000-1030-org-str-chorus(SATB)-soloists(SATB) | 37' 00'' |
1854 | Missa solemnis in B-flat minor , WAB 29 | 0202-2230-timp-org-str-chorus(SATB)-soloists(BSAT) | 31' 00'' |
1861/? | Fugue in D minor (arr. Atkins ) , WAB 125 | str | 3' 00'' |
1862 | March in in D minor , WAB 96 | 2222-2230-timp-str | 4' 00'' |
1862 | Three Pieces for Orchestra , WAB 97 | 2222-2210-timp-str | 8' 00'' |
1863 | Overture in G minor , WAB 98 | 2222-2230-timp-str | 12' 00'' |
1863 | Symphony in F minor , WAB 99 | 2222-4230-timp-str | 48' 00'' |
1864 | Mass No. 1 in D minor , WAB 26 | 2222-2230-timp-org-str-chorus(SATB)-soloists(SATB) | 49' 00'' |
1866/1866 | Symphony No. 1 in C minor (Linz Version) , WAB 101, Cahis 2 | 3222-4230-timp-str | 50' 00'' |
1866/1891 | Symphony No. 1 in C minor (Vienna Version) , WAB 101, Cahis 17 | 3222-4230-timp-str | 48' 00'' |
1866 | Mass No. 2 in E minor , WAB 27 | 0222-4230-chorus(SSAATTBB) | 44' 00'' |
1868 | Mass No. 3 in F minor (Great) , WAB 28 | 2222-2230-timp-str-chorus(SATB)-soloists(SBAT) | 57' 00'' |
1869 | Symphony in D minor (Nullte) , WAB 100 | 2222-4230-timp-str | 46' 00'' |
1872/1872 | Symphony No. 2 in C minor (Version 1) , WAB 102, Cahis 4 | 2222-4230-timp-str | 1h 08' 00'' |
1872/1877 | Symphony No. 2 in C minor (Version 2) , WAB 102, Cahis 8 | 2222-4230-timp-str | 1h 00'' |
1873/1873 | Symphony No. 3 in D minor (Version 1) , WAB 103, Cahis 5 | 2222-4330-timp-str | 1h 05' 00'' |
1873/1877 | Symphony No. 3 in D minor (Version 2) , WAB 103, Cahis 9 | 2222-4330-timp-str | 1h 01' 00'' |
1873/1889 | Symphony No. 3 in D minor (Version 3) , WAB 103, Cahis 15 | 2222-4330-timp-str | 57' 00'' |
1874/1874 | Symphony No. 4 in E-flat major "Romantic" (Version 1) , WAB 104, Cahis 6 | 2222-4330-timp-str | 1h 10' 00'' |
1874/1878 | Symphony No. 4 in E-flat major "Romantic": "Volksfest" Finale , WAB 104, Cahis 10 | 2222-4331-timp-str | 17' 00'' |
1874/1880 | Symphony No. 4 in E-flat major "Romantic" (Version 2) , WAB 104 | 2222-4331-timp-str | 1h 10' 00'' |
1874/1888 | Symphony No. 4 in E-flat major "Romantic" (Version 3) , WAB 104, Cahis S.1/14+ | 3222-4331-timp+1-str | 1h 05' 00'' |
1876/1877 | Symphony No. 5 in B-flat major , WAB 105 | 3222-8662-timp+2-str | 1h 21' 00'' |
1876/1980 | Symphony No. 3: Adagio No. 2 (based on Version 1) , WAB 103 | 2222-4330-timp-str | 18' 00'' |
1876 | Symphony No. 5 in B-flat major , WAB 105, Cahis 7 | 2222-4331-timp-str | 1h 21' 00'' |
1881 | Symphony No. 6 in A major , WAB 106, Cahis 12 | 2222-4331-timp-str | 54' 00'' |
1883/? | Symphony No. 7 in E major (arr. Eisler ) , WAB 107 | 0010-1000-str(1.1.1.1.1) | 1h 04' 00'' |
1883 | Symphony No. 7 in E major , WAB 107, Cahis 13 | 2222-8331-timp-str | 1h 04' 00'' |
1884 | Te Deum , WAB 45 | 2222-4331-timp-org-str-chorus(SATB)-soloists(SATB) | 24' 00'' |
1887/1887 | Symphony No. 8 in C minor , WAB 108, Cahis 14 | 3333-8331-timp+2-hp-str | 1h 24' 00'' |
1887/1890 | Symphony No. 8 in C minor (arr. Nowak ) , WAB 108, Cahis 16 | 3333-8331-timp+2-hp-str | 1h 14' 00'' |
1887/1890 | Symphony No. 8 in C minor (arr. Haas ) , WAB 108, Cahis 16 | 3333-8331-timp+2-hp-str | 1h 14' 00'' |
1892 | Psalm 150 , WAB 38 | 2222-4331-timp-str-chorus(SATB)-soloist(S) | 9' 00'' |
1893 | Helgoland , WAB 71 | 2222-4331-timp+1-str-chorus(TTBB) | 14' 00'' |
1894/? | Symphony No. 9 in D minor (arr. Cohrs ) , WAB 109, Cahis 18 | 3333-8331-timp-str | 1h 03' 00'' |
1894/? | Symphony No. 9 in D minor (arr. Orel ) , WAB 109, Cahis 18 | 3333-8331-timp-str | 1h 03' 00'' |
1894/? | Symphony No. 9 in D minor (arr. Nowak ) , WAB 109, Cahis 18 | 3333-8331-timp-str | 1h 03' 00'' |
Report Missing or Inaccurate Information
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.